"Been to those places?" "No. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. Their conversation was conducted in the flash language, and, though unintelligible to Wood, was easily comprehended by this companion, who learnt, to her dismay, that the wounded man had received his hurt from her son, whose courage and dexterity formed the present subject of their discourse.
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