But I'm sure it's important. Its architecture was richly ornamental, and resembled the style of a triumphal entrance to a capital, rather than a dungeon having battlements and hexagonal towers, and being adorned on the western side with a triple range of pilasters of the Tuscan order, amid the intercolumniations of which were niches embellished with statues. In Darrell's open features, frankness and honour were written in legible characters; while, in Jack's physiognomy, cunning and knavery were as strongly imprinted. Here was the corner-stone of a capital story; but he knew that Howard Spurlock would never write it.
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