“It is Rhea’s infant. Cathy appeared in her bathrobe. It’s kind of the World War II thing. It reminded her viscerally of her subhuman status, stripped away of the pretenses of art, intellect, and nicety. Husbands and wives, young lovers, and mothers with strollers thronged in the streets, all savoring the fine cool weather. It looked as if it had taken its world for granted and prospered on that assumption—a world in which children were trained to obey their elders and the wills of women over-ruled as a matter of course. Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps.
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