On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism. The thought of their faces, and particularly of her aunt’s, as it would meet the fact— disconcerted, unfriendly, condemning, pained—occurred to her again and again. Here they remained till midnight when, calling for their reckoning and their steeds, they left the house.
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