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"Why, first," rejoined Austin, "there's Sir James Thornhill, historical painter to his Majesty, and the greatest artist of the day. He became a little less en garde. ’ His face changed, all the humour and tenderness leaving it in an instant. But not so much a pig as that man. If you ride out there, and the place is well worth a visit, for the magnificent view it commands of some of the finest country in the neighbourhood of London,—you are certain to meet with him. He was silent. ’ It took several frustrating moments, working at the protrusions of the carving down the side of the bookshelves, tugging at leaves, pushing at flowers.

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