She had been fighting down this thought for days: that Hoddy did not care, that he did not love her, that he had mistaken a vagary of the mind for a substance, and now regretted what he had done— married a girl who was not his equal in anything. It was now getting dusk, and he could only imperfectly distinguish the features and figure of the stranger. ‘Sapristi,’ he shouted angrily. However the taste of the architecture may be questioned, which was the formal French style of the period, the general effect was imposing.
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